The 17th SISFF COMPETITION FINAL ENTRIES ANNOUNCEMENT
2025-03-28 오전 09:50:03

The 17th SISFF COMPETITION FINAL ENTRIES ANNOUNCEMENT

 

The 17th SISFF International Short Competiton - 20 titles selected
 
 
 

(Alphabetical order)

1. <Ah Ma> Boon Wai Chew | Fiction | 2023 | Malaysia | 15’

2. <And That's for This Christmas> Peter Vulchev | Fiction | 2024 | Bulgaria | 15’

3. <Basia: Three Short Stories> Mateusz Pietrak | Documentary | 2023 | Poland | 29’

4. <Bhairavii> Pranit Jaunjal | Fiction | 2023 | India | 30’

5. <Blood Will Rise> Juan Gonzalez Henao | Fiction | 2024 | Colombia | 18’

6. <CATHY'S MOM> K. MARUTHI | Fiction | 2024 | India | 20’

7. <Grandmother's Wish> GUOWEI XU | Fiction | 2024 | China | 30’

8. <Hey Temi> Jesús Minchón, Arnau Belloc, Marta Aguilella | Documentary | 2023 | Spain | 20’

9. <Home and Away> Rachata Thongruay | Documentary | 2024 | United Kingdom | 23’

10. <Knock> Hongyu SU | Fiction | 2024 | China | 10’

11. <La mort> Jesús Martínez Nota | Fiction | 2024 | Spain | 13’

12. <Last Day> James Joseph Valiyakulathil | Fiction | 2024 | Canada | 11’

13. <Last round> Vincenzo Aiello | Fiction | 2023 | Switzerland | 13’

14. <Line of Dance> Chia-Wei Chang | Fiction | 2024 | Taiwan | 30’

15. <MANN AASAI (THE THIRST FOR LAND)> Arivarasan R | Fiction | 2024 | India | 23’

16. <MERCATO LIBERO> Giuseppe Cacace | Fiction | 2024 | Italy | 14’

17. <Ode to Age> Kati Kallio | Experimental | 2024 | Finland | 8’

18. <SAVERIO film> Ellen Ancui | Fiction | 2024 | United States | 14’

19. <Thank you, Goodbye> Chris Poulles | Fiction | 2025 | Luxembourg | 9’

20. <The Wake> Peter Ahlén | Fiction | 2023 | Denmark | 30'

 
 
 
Changes in short competition entry trends and selection of entries for the finals
 
 
This year again, works that showed a variety of views on the elderly and their lives knocked on the door of the SISFF.
 
In the case of the international short competition, it can be seen that Asian and European countries still have different views on the elderly and old age. While the main subject of Asian works was the sad and negative view of old age and the humility of old age before death, Europe mostly approached death humorously and tended to think more positively about things after death. Although the subject matter of the elderly from cultural differences still came to a different conclusion, in the end, the context of understanding the elderly generation and contemplating generational integration is still seen as the most important value in all works regardless of country.
 
We look forward to working together with great works in the future
 
Thanks for the submissions from all the movie industry professionals.
 
 
 
 
 
Inquiry
SISFF Festival office 
TEL. 02-6220-8693

E-mail. sisff.program@gmail.com / sisff@daum.net

 

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